tag:blogger.com,1999:blog-22345387.post3377465569526950996..comments2023-12-30T11:04:22.503-05:00Comments on Art Decade: Emmetthttp://www.blogger.com/profile/09887578369365842959noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-22345387.post-24750934943343906992008-06-02T21:19:00.000-04:002008-06-02T21:19:00.000-04:00Pavement-esque indeed. This is nice.Pavement-esque indeed. This is nice.Sheridan Duprehttps://www.blogger.com/profile/11430648486993750125noreply@blogger.comtag:blogger.com,1999:blog-22345387.post-74603445899211657022008-06-02T14:04:00.000-04:002008-06-02T14:04:00.000-04:00Just goes to show that factotums are far to often ...Just goes to show that factotums are far to often unfairly marginalized. I remember buying Warren Zevon's "Werwolves of London" as a 45 the same year this was recorded... Or was it 1978 ?Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22345387.post-84343843162291881352008-06-02T12:10:00.000-04:002008-06-02T12:10:00.000-04:00I don't know but they sound pretty weary. Of cour...I don't know but they sound pretty weary. Of course that's partly due to Steve Parish's Pavement-esque drum performance.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22345387.post-35956552373778666352008-06-02T12:08:00.000-04:002008-06-02T12:08:00.000-04:00Beautiful. I wonder what the poison was on that e...Beautiful. I wonder what the poison was on that evening.Mikehttps://www.blogger.com/profile/13268075570462203982noreply@blogger.com